Create some benchmarks 📊

1 files changed, 4 insertions, 60 deletions

diff --git a/src/lib.rs b/src/lib.rs
index ed1e079e..9be3941d 100644
--- a/src/lib.rs
+++ b/src/lib.rs
@@ -183,21 +183,8 @@ mod test {
     /// Create a _PDF_ with a name from the source code.
     fn test(name: &str, src: &str) {
         let mut typesetter = Typesetter::new();
-        typesetter.add_font_provider(FileSystemFontProvider::new("../fonts", vec![
-            ("CMU-SansSerif-Regular.ttf",      font!["Computer Modern", Regular, SansSerif]),
-            ("CMU-SansSerif-Italic.ttf",       font!["Computer Modern", Italic, SansSerif]),
-            ("CMU-SansSerif-Bold.ttf",         font!["Computer Modern", Bold, SansSerif]),
-            ("CMU-SansSerif-Bold-Italic.ttf",  font!["Computer Modern", Bold, Italic, SansSerif]),
-            ("CMU-Serif-Regular.ttf",          font!["Computer Modern", Regular, Serif]),
-            ("CMU-Serif-Italic.ttf",           font!["Computer Modern", Italic, Serif]),
-            ("CMU-Serif-Bold.ttf",             font!["Computer Modern", Bold, Serif]),
-            ("CMU-Serif-Bold-Italic.ttf",      font!["Computer Modern", Bold, Italic, Serif]),
-            ("CMU-Typewriter-Regular.ttf",     font!["Computer Modern", Regular, Serif, SansSerif, Monospace]),
-            ("CMU-Typewriter-Italic.ttf",      font!["Computer Modern", Italic, Serif, SansSerif, Monospace]),
-            ("CMU-Typewriter-Bold.ttf",        font!["Computer Modern", Bold, Serif, SansSerif, Monospace]),
-            ("CMU-Typewriter-Bold-Italic.ttf", font!["Computer Modern", Bold, Italic, Serif, SansSerif, Monospace]),
-            ("NotoEmoji-Regular.ttf",          font!["Noto", Regular, Bold, Italic, SansSerif, Serif, Monospace]),
-        ]));
+        let provider = FileSystemFontProvider::from_listing("../fonts/fonts.toml").unwrap();
+        typesetter.add_font_provider(provider);
 
         // Typeset into document.
         let document = typesetter.typeset(src).unwrap();
@@ -231,50 +218,7 @@ mod test {
     }
 
     #[test]
-    fn wikipedia() {
-        test("wikipedia", r#"
-            Typesetting is the composition of text by means of arranging physical types or the
-            digital equivalents. Stored letters and other symbols (called sorts in mechanical
-            systems and glyphs in digital systems) are retrieved and ordered according to a
-            language's orthography for visual display. Typesetting requires one or more fonts
-            (which are widely but erroneously confused with and substituted for typefaces). One
-            significant effect of typesetting was that authorship of works could be spotted more
-            easily, making it difficult for copiers who have not gained permission.
-
-            During much of the letterpress era, movable type was composed by hand for each page.
-            Cast metal sorts were composed into words, then lines, then paragraphs, then pages of
-            text and tightly bound together to make up a form, with all letter faces exactly the
-            same "height to paper", creating an even surface of type. The form was placed in a
-            press, inked, and an impression made on paper.
-
-            During typesetting, individual sorts are picked from a type case with the right hand,
-            and set into a composing stick held in the left hand from left to right, and as viewed
-            by the setter upside down. As seen in the photo of the composing stick, a lower case
-            'q' looks like a 'd', a lower case 'b' looks like a 'p', a lower case 'p' looks like a
-            'b' and a lower case 'd' looks like a 'q'. This is reputed to be the origin of the
-            expression "mind your p's and q's". It might just as easily have been "mind your b's
-            and d's".
-
-            The diagram at right illustrates a cast metal sort: a face, b body or shank, c point
-            size, 1 shoulder, 2 nick, 3 groove, 4 foot. Wooden printing sorts were in use for
-            centuries in combination with metal type. Not shown, and more the concern of the
-            casterman, is the “set”, or width of each sort. Set width, like body size, is measured
-            in points.
-
-            In order to extend the working life of type, and to account for the finite sorts in a
-            case of type, copies of forms were cast when anticipating subsequent printings of a
-            text, freeing the costly type for other work. This was particularly prevalent in book
-            and newspaper work where rotary presses required type forms to wrap an impression
-            cylinder rather than set in the bed of a press. In this process, called stereotyping,
-            the entire form is pressed into a fine matrix such as plaster of Paris or papier mâché
-            called a flong to create a positive, from which the stereotype form was electrotyped,
-            cast of type metal.
-
-            Advances such as the typewriter and computer would push the state of the art even
-            farther ahead. Still, hand composition and letterpress printing have not fallen
-            completely out of use, and since the introduction of digital typesetting, it has seen a
-            revival as an artisanal pursuit. However, it is a very small niche within the larger
-            typesetting market.
-        "#);
+    fn shakespeare() {
+        test("shakespeare", include_str!("../test/shakespeare.tps"));
     }
 }